Digital Studies of the drawing "Observing Don't Touch", drawn in the mid 1960's.artwork and digital artwork by Paul A. L. Hall1/21/2004 Signed prints are available in two sizes. Click on the thumbnails below. |
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In this depiction, the observer watches the suburban male traversing a combat
zone and the barriers put in place to stop the reproduction of human life.
Whereas the attractiveness of the female is used to perpetuate the wealth of the
owners of the barriers. The land is reduced to piles of horrendous rubble
and the barbed wire in place around the enclosure in the midst of the wreckage
is being noticed as though something were eventually going to be done about it.
The sections of the city in the down town area were filled with electronic stores that sold mostly radio stuff up until the time they were unjustly evicted to make way for the twin towers and the other parts of the World Trade Center. One of the nicknames for New York was "Radio City" and that, obviously was displaced for the owners of barriers to conduct their business, as the name implies, to the world.
Sometimes these things go beyond words. I draw what I see. It's just that it's a different method of seeing.
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Digital Studies of the drawing "Observing Don't Touch", drawn in the mid 1960's.
Copyright © 2004 by Paul A. L. Hall. All rights reserved.
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Digital Studies of the drawing "Observing Don't Touch", drawn in the mid 1960's.
Digital Art by Paul A. L. Hall.